A man's life is turned upside down in the aftermath of a robbery.
Through interviews filmed over four years, Noam Chomsky unpacks the principles that have brought us to the crossroads of historically unprecedented inequality – tracing a half-century of policies designed to favor the most wealthy at the expense of the majority – while also looking back on his own life of activism and political participation. He provides penetrating insight into what may well be the lasting legacy of our time – the death of the middle class, and swan song of functioning democracy.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
Set in postwar America, a man watches his seemingly perfect life fall apart as his daughter's new political affiliation threatens to destroy their family.
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.
An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he's there, MacWhite sees only a dichotomy between the U.S. and Communism. He can't accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman's advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense?
Follow the clues to fun and excitement as the beloved little mouse takes on a big monster in this charming, full-length adventure. When a ferocious, mouse-nabbing creature puts fear into the hearts of New York City's rodents, Fievel and his friends team up with a reporter to chase after the scoop of the century and -- just maybe -- get a close-up look at the bad guy himself!
Bill, a wealthy businessman, confronts his junkie daughter's drug-dealing boyfriend; in the ensuing argument, Bill kills him. Panic-stricken, he wanders the streets and eventually stops at a bar. There he runs into a drunken factory worker named Joe, who hates hippies, blacks, and anyone who is "different", and would like to kill one himself. The two start talking, and Bill reveals his secret to Joe. Complications ensue.
A Connecticut Yankee is a 1931 American film adaptation of Mark Twain's 1889 novel A Connecticut Yankee in King Arthur's Court. It was directed by David Butler to a script by William M. Conselman, Owen Davis, and Jack Moffitt. It was produced by Fox Film Corporation (later 20th Century Fox), who had earlier produced the 1921 silent adaptation of the novel, A Connecticut Yankee in King Arthur's Court. A Connecticut Yankee is the first sound film adaptation of Twain's novel.
Tyrone Power is a pilots' pilot, but he doesn't believe in anything beyond his own abilities. He gets into trouble by flying a new fighter directly to Canada instead of to New York and letting it be towed across as the law demands, but is offered a new job ferrying bombers to war torn England. While on a layover he finds Betty Grable, an old flame, has joined the RAF as a WREN in her attempt to fight for democracy. Power joins up to impress her and in the course of his several missions begins to develope an understanding of what they are fighting for.
Ricky returns to Munich from Vietnam and is promptly hired as a contract killer in Fassbinder’s subversive and experimental gangster movie.
Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.
For more than a century people have refreshed themselves with oceans of brown fluid. Much of this fluid was produced by one Atlanta-based company, and Coca-Cola: The History of an American Icon offers a panegyric to the Real Thing. The history of Coke is the history of its advertising, and this documentary draws on a rich archive of print, film, and television material to show how John Pemberton's soda recipe became such a potent symbol of American society. Coca-Cola: The History of an American Icon is, unsurprisingly, a one-sided history. There is no suggestion that the Coca-Colonization of the planet might have a downside, and lines like "If the world's having a bad time, it's OK because there's still Coke" are delivered without a hint of irony. Nevertheless, this documentary offers some fascinating insights into the history of Coca-Cola.
The true story of pilot Barry Seal, who transported contraband for the CIA and the Medellin cartel in the 1980s.
Aimlessly cruising through his first post-Stanford University summer, 22 year old David Braddock finds himself in China where he meets Mei, an ambitious young girl who urges him to find his life's direction.
Jungle action from the glorious period of Rambo ripoffs.
In 1980, a teenage boy escapes the unrest in Iran only to face more hostility in America, due to the hostage crisis. Determined to fit in, he joins the school's floundering wrestling team.
Conrad is a gay man living in NYC. He's also CEO of an ad agency and by nature a control freak. Although Conrad is still in love with Martin (his ex), he hires a young Aussie hustler named Tyler, first for a night and then to work for his company. Things get increasingly complicated as Conrad tries to rekindle things with Martin. Meanwhile Tyler (who's daytime name is Ian) falls for Michael his new supervisor
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.